Bradley and King agree that any license to Tyson would not extend to Warner Bros. recreating the tattoo on another person’s face, but Bradley concludes that Warner Bros.’ actions were nonetheless likely fair use, while King argues that the replication of the tattoo on Price’s face was satire rather than parody and thus not protected by fair use under Campbell v. Acuff-Rose Music, Inc. Ultimately, Bradley writes that, even if a fair use defense failed, Whitmill would not have won significant damages, as he had only registered the copyright after the alleged infringement began and could thus only collect on compensatory damages.
Apparently, Mike Tyson has some mixed feelings about his lack of fatalities in the ring. One of the most disturbing Mike Tyson facts is that, in a 2013 interview with The Telegraph, the boxer was asked if he was ever afraid that he’d kill someone during a fight.
‘When Mr. Whitmill created the Original Tattoo, Mr. Tyson agreed that Mr. Whitmill would own the artwork and thus, the copyright in the Original Tattoo,’ the complaint said. ‘Warner Bros. Entertainment, Inc. — without attempting to contact Mr. Whitmill, obtain his permission, or credit his creation — has copied Mr. Whitmill’s Original Tattoo and placed it on the face of another actor … This unauthorized exploitation of the Original Tattoo constitutes copyright infringement.’
In January 1999, Tyson returned to the ring for a match against the South African Francois Botha. This match also ended in controversy. While Botha initially controlled the fight, Tyson allegedly attempted to break Botha’s arms during a tie-up and both boxers were cautioned by the referee in the ill-tempered bout. Botha was ahead on points on all scorecards and was confident enough to mock Tyson as the fight continued. Nonetheless, Tyson landed a straight right hand in the fifth round that knocked out Botha. Critics noticed Tyson stopped using the bob and weave defense altogether following this return. Promoting the fight on Secaucus, New Jersey television station WWOR-TV, Tyson launched into an expletive-laden tirade that forced sports anchor Russ Salzberg to cut the interview short.
Mike Tyson returned to the boxing ring on Saturday night, at the age of 54, and fought out to what was adjudged to be a draw in the much-hyped bout against Roy Jones Jr. The two men pocketed a hefty sum for their appearances and the world could revel once again in the sight of one of the greatest fighters the heavyweight division has ever seen.
Or he could look to a rematch with Parker, who was ringside for the fight. Another option for Zhang: a Sept. 21 fight with Anthony Joshua at Wembley Stadium, though that opportunity could go to Daniel Dubois, who stopped Filip Hrgovic on the undercard.
The wrinkle in the “Hangover” lawsuit is that Mr. Whitmill has taken pains to leave Mr. Tyson out of it. “This case is not about Mike Tyson, Mike Tyson’s likeness, or Mike Tyson’s right to use or control his identity,” the complaint says. “This case is about Warner Bros. appropriation of Mr. Whitmill’s art and Warner Bros. unauthorized use of that art, separate and apart from Mr. Tyson.”
Throughout history, tattoos have been used to signify belonging and identity, and the tradition continues to this day. For many people, tattoos like Tyson’s can hold deeply personal and meaningful significance. Whether it’s a representation of cultural heritage or a reflection of one’s individual experiences and beliefs, tattoos serve as powerful reminders of our unique identities and the stories that make us who is the 5 division world boxing champion we are.
Later, during post-match interviews, Tyson was walking back to his locker room when a fan from the venue tossed a bottle of water in his direction. Tyson, his instructor, and a pain manager climbed over a temporary railing and up into the stands, made obscene gestures to the crowd, and made their way up the side of a stairway. Tyson had to be restrained as he was led off. When interviewed about his championship and the incident with Mike Tyson, Holyfield said he already forgave Tyson for biting him.
From 1992 to 1995, while in prison for the rape of Desiree Washington, Tyson read a large number of books, including works by Chinese communist leader Mao Zedong. Spike Lee sent Tyson a copy of tennis player Arthur Ashe’s deathbed memoir, Days of Grace. Tyson was moved by the book and respected Ashe’s ability to be nonconfrontational and admired his political views and his success as a black athlete in a white-dominated world. Tyson got prison tattoos of both men on his biceps: A portrait of Mao, captioned with “Mao” in all-caps, on the left; a portrait of Ashe beneath the words “Days of Grace” on the right. Gerald Early views the Mao and Ashe tattoos as together “symboliz both newfound self-control and his revision of black cool”, with Mao representing strength and authority. Clifton Brown in The New York Times describes the Ashe tattoo as “a contradiction” with Tyson’s “fits of rage”. Early and biographer Richard Hoffer cast the two bicep tattoos as an unusual combination of, in Hoffer’s words, “alternate icons”.